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Edgar Lee Master
Spoon River Anthology
THE HILL
Where are ElmerHermanBertTom and Charley
The weak of willthe strong of armthe clowthe
boozerthe fighter?
Allallare sleeping on the hill.
One passed in a fever
One was burned in a mine
One was killed in a brawl
One died in a jail
One fell from a bridge toiling for children and wife —
Allall are sleepingsleepingsleeping on the hill.
Where are EllaKareMagLizzie and Edith
The tender heartthe simple soulthe loudthe proud
the happy one? —
Allallare sleeping on the hill.
One died in shamful child-birth
One of a thwarted love
One at the hands of a brute in a brothel
One of a broken pridein the search for heart’s desire
One after life in far-away London and Paris
Was brought to her little space by Ella and Kare and
Mag —
Allallare sleepingsleepingsleeping on the hill.
Where are Uncle Isaac and Aunt Emily
And old Towny Kincaid and Sevigne Houghton
And Major Walker who talked
With venerable men of the revolution? —
Allallare sleeping on the hill.
They brought them dead sons from the war
And daughters whom life had crushed
And their children fatherlesscrying —
Allallare sleepingsleepingsleeping on the hill.
Where is Old Fiddler Jones
Who played with life all his ninety years
Braving the sleet with bared breast
Drinkingriotingthinking neither of wife nor kin
Nor goldnor lovenor heaven?
Lo! He babbles of the fish-frys of long ago
Of the horse-races of long ago at Clary’s Grove
Of what Abe Lincoln said
One time at Springfield.
OLLIE M
CGEEHave you seen walking throught the village
A man with downcast eyes and haggard face?
That is my husband whoby secret cruelty
Never to be toldrobbed me of my youth and my beauty;
Till at lastwrinkled and with yellow teeth
And with broken pride and shameful humility
I sank into the grave.
But what think you graws at my husband’s heart?
LA COLLINA
Dove sono ElmerHermanBertTom e Charley
Il debole diil forte di braccioil clownl'ubriaconeil
combattente?
Tuttituttidormono sulla collina.
Uno è morto per febbre
Uno fu bruciato in una miniera
Uno è stato ucciso in una rissa
Uno è morto in una prigione
Uno è caduto da un ponte affaticato da moglie e figli —
Tuttitutti dormonodornomodormono sulla collina.
Dove sono EllaKateMagLizzie ed Edith
Il cuore tenerol'anima semplicela rumorosa
l'orgogliosal’unica felice? _
Tuttetuttedormono sulla collina.
Una è morto tra i dolori del parto
Una di contrastato amore
Una per causa di un bruto in un bordello
Una di un orgoglio infrantoalla ricerca del desiderio
del cuore
Una dopo una vita nelle lontane Londra e Parigi
Le è stato portato via un po’ di spazio da Ella e Kate e
Mag —
Tuttetutte dormonodornomodormono sulla collina.
Dove sono Zio Isaac e Zia Emily
E il vecchio Towny Kincaid e Sevigne Houghton
E il sindaco Walker che ha parlato
Con uomini venerabili della rivoluzione? —
Tuttituttidormono sulla collina.
Hanno riportato i propri figli morti dalla guerra
E figlie che vita aveva schiacciato
E i loro bambini senza padrepiangenti —
Tuttitutti dormonodornomodormono sulla collina.
Dove è Old Fiddler Jones
Che ha giocato con vita tutti suoi novanta anni
Affrontare il nevischio con scoperta mammella
Bereinsorgerepensare né l'uno né l'altro di moglie nè
ceppo
Nè oronè amorenè cielo?
Ecco! Lui farnetica di pesce fritto di tempo fa
Di corse di cavalli di tempo fa al Boschetto di Clary
Di quello che Abe Lincoln ha detto
Un tempo a Springfield.
OLLIE M
CGEEAvete visto camminare attraverso il villaggio
Un uomo con occhi sconfortati e faccia sparuta?
Quello è mio marito checon crudeltà segreta e
Inauditami ha derubato della mia gioventù e della mia
bellezza;
Fino a chefinalmentegrinzoso e con denti gialli
E senza alcun orgoglio ed vergognosa
L’ho portato nella tomba.
Oraa cosa pensate assomigli il cuore di mio marito?
The face of what I wasthe face of what he made me!.These are driving him tothe place where I lie.
In deaththereforeI am avenged.
FLETCHER MC GEE
She took my strength by minutes
She took my life by hours
She drained me like a fevered moon
Tha saps the spinning world.
The days went by like shadows
The minutes wheeled like stars
She took the pity from my hearth
And made in into smiles.
She was a hunk of sculptor’s clay
My secret thoughts were fingers:
They flew behind her pensive brow
And lined it deep with pain
They set the lipsand sagged the cheecks
And drooped the eyes with sorrow.
My soul had entered in the day
Fighting like seven devils.
It was not mineit was not hers;
She held itbut its struggles
Modeled a face she hated
And a face I feared to see.
I beat the windowsshook the bolts.
I hid me in a corner —
And then she died and haunted me
And haunted me for life
ROBERT FULTON TANNER
If a man could bite the giant hand
That catches and destroys him
As I was bitten by a rat
While demonstrating my patent trap
In my hardware store that day.
But a man can never avenge himself
On the monstrous ogre Life.
You enter the room — that’s being born;
And then you must live — work out your soul
Aha! The bait that you crave is in view:
A woman with money you want to marry
Prestigeplaceor power in the world.
But there’s work to do and thing to conquer —
Ohyes! The wires that screen the bait.
At last you get in — but you hear a step:
The ogreLifecomes into the room
(He was waiting and heard the clang of the spring)
To watch you nibble the wondrous cheese
And stare with his burning eyes at you
And scowl and laughand mock and curse you
Running up and down in the trap
Until your misery bores him.
SEREPTA MASON
My life’s blossom micht have bloomed on all sides
Save for a bitter wind which stunted my petals
On the side of me which you in the village could see.
From the dust I lift a voice of protest:
My flowering side you never saw!
Ye living onesye are fools indeed
Who do not know the ways of the wind
La faccia di quello che erola faccia di quello che mi ha
fatto!
Questi lo guidano al luogo dove giaccio.
In morte perciòsono vendicata.
FLETCHER MC GEE
ROBERT FULTON TANNER
SEREPTA MASON.
And the unseenforcesThat govern the processes of life.
CHASE HENRY
In life I was the town drunkard;
When I died the priest denied me burial
In holy ground.
The which redounded to my good fortune.
For the Protestant bought this lot
And burried my body here
Close tho the grave of the banker Nicholas
And his wife Priscilla.
Take noteye prudent and pious souls
Of the cross-currents in life
Which bring honor to the deadwho lived in shame.
JUDGE SOMERS
How does it happentell me
That I who was most erudite of lawyers
Who knew Blackstone and Coke
Almost by heartwho made the greatest speech
The court.house ever heardand wrote
A brief tha won the praise of Justice Breese —
How does it happentell me
That I lie here unmarkedforgotten
While Chase Henrythe town drunkhard
Has a marble blocktopped by an urn
Wherein Naturein a mood ironical
Has sown a flowering weed?
REUBEN PANTIER
WellEmily Sparksyour prayers were not wasted
Your love was not all in vain.
I owe whatever I was in life
To your love that saw me still as good.
Dear Emily Sparkslet me tell you the story.
I pass the effect of my father and mother
The milliner’s daughter made me trouble
And out I went in the world
Where I passed throught every peril known
Of wine and women and joy of life.
One nightin a room in the Rue de Rivoli
I was drinking wine with a black-eyed cocotte
And the tears swam into my eyes.
She thought they were amorous tears and smiled
For thought of her conquest over me.
But my soul was three thousand miles away
In the days when you taught me in Spoon River.
And just beacuse you no more could love me
Not pray for menor write me letters
The eternal silence of you spoke instead.
And black-eyed cocotte took the tears for hers
As well at the deceiving kisses I gave her.
Somehowfrom that hourI had a new vision —
Dear Emily Sparks!
EMILY SPARKS
Where is my boymy boy —
In what far part of the world?
The boy I loved best of all in the school? —
Ithe teacherthe old maidthe virgin hearth
CHASE HENRY
JUDGE SOMERS
REUBEN PANTIER
EMILY SPARKS.
Who made themall my childrenDid I know my boy aright
Thinking of him as spirit aflame
Activeever aspiring?
Ohboyboyfor whom I prayed and prayed
In many a watchful hour at nicht
Do you remember the letter I wrote you
Of the beautiful love of Christ?
And whether you ever took it or not
My boywherever you are
Work for your soul’s sake
that all the clay of youall of the dross of you
May field to the fire of you
Till the fire is nothing but light!...
Nothing but light!
DOCTOR MEYERS
No other manunless it as Doc Hill
Did more for people in this town than I.
And all the weakthe haltthe improvident
And those who could not pay flocked to me.
I was good-heartedeasy Doctor Meyers.
I was healthyhappyin confrtable fortune
Blessed with a congenial matemy children raised
All weddeddoing well in the world.
And then one nightMinervathe potess
Came to me in her troublecrying.
I tried to help her out — she died —
The indicted methe newspapeers disgraced me.
My wife perished of a broken heart.
And pneumonia finished me.
MRS. MEYERS
He protested all his life long
The newspapers lied about him villainously;
That he was not at fault for Minerva’s fall
But onlytried to help her.
Poor soul so sunk in sin he could not see
That even trying to help heras he called it
He had broken the law human and divine.
Passers byan ancient admonition to you:
If your ways would be ways of pleasantness
And all your pathways peace
Love God and keep his commandaments.
«
BUTCH» WELDYAfter I got religion and steadied down
They gave me a job in the canning works
And every morning I had to fill
The tank in the yard with gasoline
That fed the blow-fires in the sheds
To heat the soldering irons.
And I mounted a rickery ladder to do it
Carrying buckets full of the stuff.
One morningas I stood there pouring
The air grew still and seemed to heave
And I shot up as the tank exploded
And down I came whith both legs broken
And my eyes burned crisp as a couple of eggs
For someone left a blow-fire going
And something sucked the flame in the tank.
The circuit Judge said whoever did it
Was a fellow servant of mineand so
DOCTOR MEYERS
MRS. MEYERS
«
BUTCH» WELDY.OldRhodes’ son didn’t have to pay me.And I sat on the witness stand as blind
As Jack the Fiddlersaying over and over
«I didn’t know him at all».
KNOWLT HOHEIMER
I was the first fruits of the battle of Missionary Ridge.
When I felt the bullet enter my heart
I wished I had staid at home and gone to jail
For stealing the hogs of Curl Trenary
Instead of running away and joining the army.
Rather a thousand times the county jail
Than to lie under this marble figure with wings
And this granite pedestal
Bearing the works«Pro Patria».
What do they meananyway?
LYDIA PUCKETT
Knowlt Hoheimer ran away to the war
The day before Curl Trenary
Swore out a warrant through Justice Arnett
For sealing hogs.
But that’s not the reason he turned a soldier.
He caught me running with Lucius Atherton.
We quarreled and I told him never again
To cross my path.
Then he stole the hogs and I went to the war —
Back of every soldier is a woman.
HARE DRUMMER
Do the boys and girls still go to Siever’s
For ciderafter schoolin late September?
Or gather hazel nuts among the tickets
On Aaron Herfield’s farm when the frosts begin?
For many times with the laughing girls and boys
Played I along the road and over the hills
When the sun was low and the air was cool
Stopping to club the walnut tree
Standing leafless against a flaming west.
Nowthe smell of the autumn smoke
And the dropping acorns
And the echoes about the vales
Bring dreams of life. They hover over me.
They question me:
Where are those laughing comrades?
How many are with mehow many
In the old orchards along the way to Siever’s
And in the woods that overlook
The quiet water?
DOC HILL
I went up and down the sctreets
Here and there by day and night
trough all hours of the night caring for the poor who
were sick.
Do you know why?
My wife hated memy son went to the dogs.
And I turned to the people and poured out my love to
them.
Sweet it was to see the crowd about the lawns on the
day of my funeral
And hear then murmur teir love and sorrow.
KNOWLT HOHEIMER
LYDIA PUCKETT
HARE DRUMMER
DOC HILL.
But ohdear Godmy soul trembled — scarcely ableTo hold to the railing of the new life
When I saw Em Stanton behind the oak tree
At the grave
Hilding herselfand her grief!
SARAH BROWN
Mauriceweep notI am not here under this pine tree.
The balmy air for spring whispers through the sweet
grass
The stars sparklethe whippoorwill calls
But thou grievestwhile my soul lies rapturous
In the blest Nirvana of eternal light!
Go to the good hearth that is my husband
Who broods upon what he calls our guilty love: —
Tell him that my love for youno less than my love for
him
Wrought out my destiny — that through the flesh
I won spiritand through spiritpeace.
There is no marriage in heaven
But there is love.
THEODORE THE POET
As a boyTheodoreyou sat for long hours
One the shore of the turbid Spoon
With deep-set eye starting at the door of the crawfish’s
burrow
Waiting for him to appearpushing ahead
First his aving antennaelike staws of hay
as soon his bodycolored like soap-stone
Gemmed with eyes of jet.
And you wondered in a trance of thought
What he knewwhat he desiredand why he lived at all.
But later your vision watched for men and women
Hiding in burrows of late amid great cities
Looking for the souls of them to come out
So that you could see
How they livedand for what
And why they kept crawling so busily
Along the sandy way where water fails
As the summer wanes.
LUCIUS ATHERTON
When my moustache curled
And my hair was black
And I wore tight trousers
And a diamond stud
I was an excellent knave of hearts and took many a trick.
But when the gray hairs began to appear —
Lo! A new generation of girls
Laughed at menot fearing me
And I had no more exciting adventures
Wherein I was all but shot for a heartless devil
But only drabbly affairswarmed-over affairs
Of other ways and other men.
And time went on until I lived at Mayer’s restaurant
Partaking of short-ordersa grayuntidy
Toothlessdiscardedrural Don Juan...
There is might shade here who sings
Of one named Beatrice;
And I see new that the force that made him great
SARAH BROWN
THEODORE THE POET
LUCIUS ATHERTON.
Dove me tothe dregs of life.FIDDLER JONES
The earth keeps some vibration going
There in your hearthand that is you.
And if the people find you can fiddle
Whyfiddle you mustfor all your life.
What do you seea harvest of clover?
Or a meadow to wolk throught to the river?
The wind’s in the corn; you rub your hands
For beeves hereafter ready for market;
Or else you hear the rustle of skirts
Like the girls when dancing at Little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;
They looked to me like Red-Head Sammy
Stepping it offto Toor-a-Loor.
How could I till my forty acres
Not to speak of getting more
With a medley of hornsbassons and piccolos
Stirred in my brain by cross and robins
And the creak of a wind-mill — only these?
And I never started to plow in my life
That some one did not stop in the road
And I never started to plow in my life
Tha some one did not stop in the road
And take me away to a dance or picnic.
I ended up with forty acres;
I ended up with a broken fiddle —
And a broken laughand a thousand memories
And not a single refret.
LOUISE SMITH
Herbet broke our engagement of eight years
When Annabelle returned to the village
From the Seminaryah me!
If I had hlet my love for him alone
It might hae grow into a beautiful sorrow —
Who knows? — filling my life with healing fragrance.
But I tortured itI soisoned it
I blinded its eyesand it became hatred —
Deadly ivy instead of clemantis.
And my soul fell from its support
Its tendrils tangled in decay.
Do not let the will play gardener to your soul
Unless you are sure
It is wiser than your soul’s nature.
HERBERT MARSHALL
All your sorrowLouiseand hatred of me
Sprang from your delusion that it was wantonnes
Of spirit and contempt of your soul’s rights
Which made me turn to Annabelle and forsake you.
You really grew to hate me for love of me
Because I was your soul’s happiness
Formed and tempered
To solve your life for youand would not.
But you were my misery. If you had been
My happness would I not have clung to you?
This is life’s sorrow:
That one can be happy only where two are;
And that our hearts are drawn to stars
Which want us not.
FIDDLER JONES
LOUISE SMITH
HERBERT MARSHALL.THE CIRCUIT JUDGE
Take notepassers-by of the sharp erosions
Eaten in my head-stone by the wind and rain —
Almost as if an intangible Nemesis or hatred
Were marking scores against me
But to destroyand not preservemy memory.
I in life was the Circuit Judgea marker of notches
Deciding cases on the points the lawyers scored
Not on the right of the matter.
O wind and rainleave my head-stone alone!
For worse than anger of the wronged
The curses of the poor
Was to lie speechlessyet with visione clear
Seeing that even Hod Puttthe murderer
Hanged by my sentence
Was innocent in soul compared with me.
BLIND JACK
I had fiddled all day at the county fair.
But driving home «Butch» Weldy and Jack McGuire
Who were roaring fullmade me fiddle and fiddle
To the song of susie Skinnerwhile whipping the horses
Till they ran away.
Blind as I wasI tried to get out
As the carriage fell in the ditch
And was caught in the wheels and killed.
There’s blind man here with a brow
As big and white as a cloud.
And all we fiddlersfrom higest to lowest
Writers of music and tellers of stories
Sit at his feet
And hear him sing of the fall of Troy.
EUGENIA TODD
Have any of youpassers-by
Had an old rooth that was an unceasing discomfort?
Or a pain in the side that never quire left you?
Or a malignant growth that grew with time?
So that even in profoundest slumber
There was shadowy consciusness or the phantom of
thought.
Of the tooththe sidethe growth?
Even so twarted loveor defeated ambition
Or a blunder in life wich mixed your life
Hopelessly to the end
Will like a toothor a pain in the side
Float through your dreams in the final sleep
Till perfect freedom from the earth.sphere
Comes to you as one who wakes
Healed and glad in the morning!
THE CIRCUIT JUDGE
BLIND JACK
EUGENIA TODD.WASHINGTON M
CNEELYRichhonored by my fellow citizens
The father of many childrenborn of a noble mother
Alla raised there
In the great mansion-houseat the edge of town
Note the cedar tree on the Iwan!
I sent all the boys to Ann Arborall the girls to
Rockford
To while my life went ongetting more riches and
honors —
Resting under my cedar three at evening.
The year went on.
I sent the girls in Europe:
I dowered them when married.
I gave the boys money to start in business.
They were strong childrenpromising as apples
Before the bitten places show.
But John field the country in disgrace.
Jenny died in child-birth —
I sat under my cedar tree.
Harry killed himself after a debauch
Susan was divorced —
I sat under my cedar tree.
Paul was invalided from over study
Mary became a recluse at home for love of a man —
I sat under my cedar tree.
All were goneor broken-winged or devoured by life —
I sat under my cedar tree.
My matethe mother of themwas taken.
I sat under my cedar tree.
Till ninety years were tolled.
Oh maternal Earthwhich rocks the fallen leaf to sleep!
PAUL M
CNEELYDear Jane! Dear winsome Jane!
How you stolein the room (where I law so ill)
In your nurse’s cap and linen cuffs
And took my hand and said with a smile:
«You are not so ill — you’ll soon be well».
And how the liquid throught of your eyes
Sank in my eyes like dew that slips
Into the heart of a flower.
Dear Jane! The whole McNeely fortune
Could not have bought you care of me
By day and nightand night and day;
Not paid for you smilenot the warmth of your soul
In your little hands laid on my brow.
Janetill the flame of life went out
In the dark above the disk of night
I longed and hoped to be well again
To pillow my head on your little breasts
And hold you fast in a claps of love —
Did my father provide for you when he died
Janedear Jane?
MARY M
CNEELYPasser-by
To love is to find your own soul
Through the soul of the beloved one.
When the beloved one withdraws itself from your soul
Then you have lost your soul.
It is written: «You have a friend
WASHINGTON M
CNEELYPAUL M
CNEELYMARY M
CNEELY.Butmy sorrow has no friend»Hence my long years of solitude at the home of my
father
Trying to get myself back
And to turn my sorrow into a supremer self.
But there was my father with his sorrows
Sitting under the cedar tree
A picture that sank into my heart at last
Bringing infinite repose.
Ohye souls who have made life
Fragrant and white as tuberoses
From earth’s dark soil
Eternal peace!
AMOS SIBLEY
Not characternot fortitudenot patience
Were minethe which the village thought I had
In bearing with my wifewhile preaching on
Doing the work God chose for me.
I loathed her as a termagantas a wanton
I knew of her adulteriesevery one.
But even soif I divorced the woman
I must forsake the ministry.
Therefore to do God’s work and have it crop
I bore with her!
So lied I to myself!
So lied I to Spoon River!
Yet I tried lecturingran for the legislature
Canvassed for bookswith just the thousht in mind:
If I make money thusI will divorce her.
MRS.SIBLEY
The secret of the stars— gravitation.
The secret of the earth— layers of rock.
The secret of the soil— to receive seed.
The secret of the seed— the germ.
The secret of man— the sower.
The secret of woman— the soil.
My secret: Under a mound that you shall never find.
THE UNKNOWN
Ye aspiring oneslisten to the story of the unknown
Who lies her with no stone to mark the place.
As a boy reckless and wanton
Wandering with gun in hand through the forest
Near the mansion of Aaron Hatfield
I shot a hawk perched on the top
Of a dead tree.
He fell with guttural cry
At my feethis wing broken.
Then I put him in a cage
Where he lived many days cawing angrily at me
When I offered him food.
Daily I search the realms of Hades
For the soul of the hawk
That I may offer him the frindship
Of one whom life wounded and caged.
WALTER SIMMONS
My parents thought that I would be
As great as Edison or greater:
For as a boy I made balloons
And wondrous kites and toys with clocks
AMOS SIBLEY
MRS.SIBLEY
THE UNKNOWN
WALTER SIMMONS.EDIT CONANT
We stand about this place — wethe memories;
And shade our eyes because we dread to read:
«June 17
th 1884aged 21 years and 3 days».And all things are changed.
And we — wethe memoriesstand here for ourselves
alone
For no eye marks usor would know why we are here.
Your husband is deadyou sister lives far away
Your father is bent with age:
He has forgotten youhe scrcely leaves the house
Any more.
No one remembers you exquisite face
Your lyric voice!
How you sangeven on the morning you were stricken
With piercing seetnesswith thrilling sorrow
Before the advent of the child which died with you.
It is all fogottensave by usthe memories
Who are forgottenby the world.
All is changedsave the river and the hill —
Even they are changed.
Only the burning sun and the quiet stars are the same.
And we — wethe memoriesstand here in awe
Our eyes closed with the weariness of tears —
In immesurable weariness!
LYMAN KING
You may thinkpasser-bythat Fate
Is a pit-fall outside of yourself
Around which you may walk by the use of foresight
And wisdom
Thus you believeviewing the lives of ohter men
As one who in God-like fashion bends over an anthill
Seeing how teir difficulties could be avoided.
But pass on into life:
In time you shall see Fate approach you
In the shape of your own image in the mirror;
Or you shall sit alone by your own hearth
And suddendly the shair by you shall hold a guest
And you shall know that guest
And read the authentic message of his eyes.
MABEL OSBORNE
Your red blossoms amid green leaves
And little engines with tracks to run on
And telephones of cans and thread
I played the cornet and painted pictures
Modeled in clay and took the part
Of the villain in the Octoroon
But then at twenty-one I married
And had to liveand soto live
I learned the trade of making watches
And kept the jewelry store in the square
Thinkingthinkingthinkingthinking—
Not of businessbut of the engine
I studied the calculus to build.
And all Spoon River watched and waited
To see it workbut it never worked.
And few kind souls believed my genius
Was somehow hampered by the store.
It wasn’t true. The truth was this:
EDIT CONANT
LYMAN KING
MABEL OSBORNE.
I didn’thave the brains.Are droopingbeautiful geranium!
But you do not ask for water.
You cannot speak! You do not need to speak —
Everyone knows that you are dying of thirst
Yet they do not bring water!
They pass onsaying:
«The geranium wants water».
And Iwho had happiness to share
And longed to share your happiness;
I who loved youSpoon River
And craved you love
Whithered before your eyesm Spoon River —
Thirstingthirsting
Voiceless from chasteness of soul to ask you for love
You who knew and saw me perish before you
Like this geranium which someone has planted over me
And left to die.
LUCINDA MATLOCK
I went to the dances at Chandlerville
And played snap-out at Winchester.
One time we changed partners
Driving home in the moonlight of middle June
And then I found Davis.
We were married and lived together for seventy years
Enjoyingworkingraising the twelve children
Eight of whom we lost
Ere I had reached the age of sixty.
I spunI woveI kept the houseI mursed the sick
I made the gardenand for holiday
Tambled over the fields where sang the larks
And by Spoon Rivers gathering many a shell
And many a flower and medicinal weed —
Shouting to the wooded hillssinging to the green
valleys.
At ninety-six I had lived enoughthat is all
And passed to a sweet repose.
What is this I heat of sorrow and weariness
Angerdiscontent and drooping hopes?
Degenerate sons and daughters
Life is too strong for you —
It takes life to love Life.
MARIE BATESON
You observe the carven hand
With the index finger pinting heavenward.
That is the directionno doubt.
But how shall one follow it?
It is well to abstain from murder and lust
To forgeivedo good to othersworship God
Without graven images.
But these are external means after all
By which you chiefly do good to yourself.
The inner kernel is freedom
It is lightpurity —
I can no more
Find the goal or lose itaccording to your visione.
LUCINDA MATLOCK
MARIE BATESON.WILLIE METCALF
I was Willie Metcalf.
They used to call me «Doctor Meyers»
Becausethey saidI looked like him.
And he was my fatheraccording to Jack McGuire.
I lived in the livery stable
Sleeping on the floor
Side by side with Roger Baughman’s bulldog
Or sometimes in a stall.
I could crawl between the legs of the wildest horses
Without getting kicked — we knew each other.
On spring days I tramped through the country
To get the feelingwhich I sometimes lost
That I was not a separate thing from the earth.
I used to lose myselfas if in sleep
by lying with eyes half-open in the woods.
Sometimes I talked ith animals — even toads and snakes
—
Anything that had an eye to look into
Once I saw a stone in the sunshine
Trying to turn into jelly.
In april days in this cemetery
The dead people gathered alla about me
and grew stilllike a congregation in silent prayer.
I never knew whether I was a part of the earth
With flowers growing in meor wheter I walked —
Now I Know.
WILLIE METCALF